The Struggle Values of the Main Character in Capharnaüm: A Greimasian Narrative Semiotic Analysis Assisted by Artificial Intelligence

Authors

  • Nurfadilah Universitas Islam Negeri Sunan Gunung Djati Bandung
  • Rohanda Universitas Islam Negeri Sunan Gunung Djati Bandung
  • Muhammad Nurhasan Universitas Islam Negeri Sunan Gunung Djati Bandung

https://doi.org/10.19105/ajpba.vi.25846
Abstract views: 47 PDF downloads: 44

Keywords:

Contemporary Arabic literature, Capharnaüm, Capernaum, narrative semiotics, A.J. Greimas, struggle values, Artificial Intelligence

Abstract

This study investigates the struggle values represented by the main character in Capharnaüm as a work of contemporary Arabic cinema through A.J. Greimas's narrative semiotics supported by Artificial Intelligence. The study addresses two research questions: (1) how the film's narrative structure is constructed through Greimas's actantial model, functional structure, spatial–temporal isotopy, and semiotic square; and (2) how this structure represents the struggle values embodied by the main character. Employing a qualitative descriptive approach, the study analyzes dialogues, scenes, and narrative sequences using Greimas's framework, while Artificial Intelligence serves as an analytical support tool to verify interpretive consistency and strengthen analytical triangulation. The findings reveal that Zain's struggle is narratively constructed as a transformation from social exclusion toward the recognition of human dignity. This structure represents six struggle values: sacrifice, perseverance, respect, patience, cooperation, and unity, which collectively reflect human dignity, resilience, and social solidarity in contemporary Arab society. The study contributes to Arabic literary studies by demonstrating that narrative semiotics can reveal social values embedded in contemporary Arabic cinema while illustrating the methodological potential of AI-assisted qualitative interpretation.

Downloads

Download data is not yet available.

References

Abbasi, Azadeh, and Fazeleh Mirghafooriyan. 2025. “A Semio-Semantics of ‘Ezat and Zelat’ in the Quranic Story of Joseph (A.S.) Based on Greimas’s Semiotic Square.†Language Related Research 16 (4): 305–338.

Aghasi, Maya. 2021. “‘Pour Dire La Souffrance Des Innocents?’ Problematics of the Madonna–Son Trope in Representing Trauma in Philippe Aractingi’s Under the Bombs and Nadine Labaki’s Capernaum.†In Trauma and Motherhood in Contemporary Literature and Culture, 105–128. Cham: Springer International Publishing. https://doi.org/10.1007/978-3-030-77407-3_6.

Caballero, Jorge, Carles Sora-Domenjó, and Lluís Codina. 2025. “Implicaciones de la Inteligencia Artificial Generativa en la Narrativa y la Estética Cinematográfica: Un Estudio sobre las Convocatorias OpenDocs y +RAIN Film Festival.†Anà lisi 71: 55–76. https://doi.org/10.5565/rev/analisi.3773.

Dampierre-Noiray, Ève de. 2023. “Fiction against Belief and Belief in Fiction in Modern and Contemporary Arabic Literature.†In The Routledge Handbook of Fiction and Belief, 430–441. New York: Routledge. https://doi.org/10.4324/9781003119456-37.

Dopplinger, Verena H. 2024. “Nadine Labaki’s Capernaum and the Human Rights Discourse: An Analysis in Visual History.†Journal of Media and Rights 2 (1). https://doi.org/10.4102/JMR.v2i1.4.

Elhersh, Ghanem, and M. Laeeq Khan. 2024. Decoding Disney’s Arab and Muslim Narratives. Lanham, MD: Lexington Books. https://doi.org/10.5040/9798881888459.

Evecen, Gökhan, and Sırrı Serhat Serter. 2025. “Remembering the Civil War in Today’s Lebanese Cinema.†CINEJ Cinema Journal 13 (1): 335–371. https://doi.org/10.5195/cinej.2025.714.

Fontanille, Jacques, and Alessandro Zinna. 2019. “Le Dialogue entre la Sémiotique Structurale et les Sciences. Hommage à Algirdas Julien Greimas.†Langages 213 (1): 5–16. https://doi.org/10.3917/lang.213.0005.

Guedj, David. 2024. “Social and Educational Consciousness in Twentieth-Century Moroccan Judeo-Arabic Halakhic Literature.†Jewish History 38 (1–2): 69–92. https://doi.org/10.1007/s10835-024-09466-0.

Gutiérrez Almenara, Angelina. 2023. “Literatura Contemporánea Ãrabe a Través de Sus Cubiertas: Un Análisis Desde la Retórica Visual.†TRANS: Revista de Traductología, no. 27: 99–119. https://doi.org/10.24310/trt.27.2023.16196.

Kadam, Shivdarshan. 2026. “Cinema as Development Communication: A Semiotic and Narrative Analysis of Swades.†CINEFORUM 66 (2): 1059–1084.

Khayyat, Munira. 2022. A Landscape of War: Ecologies of Resistance and Survival in South Lebanon. Oakland: University of California Press.

Onega, Susana, and José Ãngel García Landa, eds. 2014. Narratology. London: Routledge. https://doi.org/10.4324/9781315843018.

Osti, Letizia. 2022. History and Memory in the Abbasid Caliphate. London: Bloomsbury Publishing. https://doi.org/10.5040/9781838600556.

Paul, Drew. 2022. “Transmission and Transit in Contemporary Arabic Literature: Naql and Its Limits.†Journal of Arabic Literature 53 (1–2): 100–131. https://doi.org/10.1163/1570064X-12341452.

Trifonas, Peter Pericles. 2015. “From Semantics to Narrative: The Semiotics of A. J. Greimas.†In International Handbook of Semiotics, 1099–1107. Dordrecht: Springer Netherlands. https://doi.org/10.1007/978-94-017-9404-6_50.

Tseng, Chiao-I, Theo van Leeuwen, and Emilia Djonov. 2025. “The Fragmentation and Plasticity of Space in Film.†Multimodality & Society 5 (4): 427–446. https://doi.org/10.1177/26349795251335017.

Tseng, Chiaoi, and John A. Bateman. 2012. “Multimodal Narrative Construction in Christopher Nolan’s Memento: A Description of Analytic Method.†Visual Communication 11 (1): 91–119. https://doi.org/10.1177/1470357211424691.

Wang, Renshun. 2026. “A Greimasian Semiotic Analysis of the Violence Narrative in the New Typical Chinese Crime Film Wrath of Silence.†SAGE Open 16 (1). https://doi.org/10.1177/21582440261426154.

Downloads

Published

2026-07-30

How to Cite

Nurfadilah, Rohanda, & Muhammad Nurhasan. (2026). The Struggle Values of the Main Character in Capharnaüm: A Greimasian Narrative Semiotic Analysis Assisted by Artificial Intelligence. Alibbaa’: Jurnal Pendidikan Bahasa Arab, 574–594. https://doi.org/10.19105/ajpba.vi.25846